碼頭與彼岸|the pier, the other shore

日期 |date 時間 |time 地點 |venue
5/10(六/sat)
(請留意,已改期至23/10晚上7:00)
晚上7:00 p.m.中環愛丁堡廣場
Edinburgh Place, Central

#公共空間注意
#screening in public spaces
15/11(五/fri) 晚上7:30 p.m.春天教會
ekklesia hong kong

拍攝:自治八樓、本土行動、影行者|主要剪接:李維怡|協助剪接:劉思航、岑卓熹|製作:影行者 |語言:廣東話(中英文字幕)|2010|香港|145分鐘|彩色


shot by: autonomous 8a, local action, v-artivist|main film editor: lee wai-yi|assisting film editor: lau sze-hong, shum cheuk-hei|produced by: v-artivist|language: cantonese with chinese and english subtitles | 2010|hong kong|145 minutes|colour

那夜穿起黑衣,坐在愛丁堡廣場喊著口號。突然想起有群人在同一空間中,叫喊著人民自主規劃、由下而上的民間方案、解殖、公共空間使用、「規劃民主化」、「保衛公共空間」、「確認高包容性的本土文化歷史」、「在地的文化書寫」等。

當時面對的也是鄭氏的一隻怪獸,外表溫柔內裏凶惡。一方面說恩惠留守市民沒有反抗,一方面卻強行清拆碼頭並以「發展並保育」欺騙市民。

事隔10年,大眾參與社會運動,無論技術和思考都有升級、翻身和變奏,此刻翻看此片,在重新詮釋當時與當下的關係之同時,不如大家一齊思考運動想建立什麼?
「人民規劃」、「空間自主」、「由下而上」的種子,如何可在運動參與者間滋養、成長?

That night,worn in black, sitting on the Edinburgh Place, yelling slogan.
In a sudden, a mind rose up that in the same place, there were a crowd of people calling to “planned by the people autonomously”, “ bottom-up people’s plan”, “decolonizing”, “ public space public use”, “democratization of planning”,“defending public space" , “ verifying the highly inclusive local cultural history" , “local literary writing”, etc.

At that time people were also facing a monster surnamed” Cheng”, appearing tender but indeed fierce. On one hand expressing gratitude towards people whom stayed to guard for they were not revolting vigorously, on the other hand demolishing the pier in force and lying to citizen with”to develop with conservation”.

After 10 years, people participating in social movement have upgraded, rolled over and variated. Watching the film at this moment, reinterpreting the relation between the particular moment in the past and the present, let’s think collectively ”what we would to build through the movement “?
How could the seeds of “plan by the people”, “ autonomous space” and “bottom up” be flourish and grow among the participants of the social movement?

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