工廈3/F + 翻土景深 + 發霉派對|3/F + ploughing towards depth of the field + fungi party

《工廈3F》3/F
影像及編輯:黃荻| 廣東話(中、英字幕) | 2015 | 香港 | 56分鐘 |彩色
image & editing: tiv wong|cantonese, with chinese & english subtitles |2015 | hong kong | 56 mins.| colour

《翻土景深》ploughing towards depth of the field
共同創作: 魏豪震、李維怡|製作: 影行者| 廣東話(中、英字幕)| 2017 | 香港 | 25分鐘 | 彩色
co-creation: ngai ho chun, lee waiyi|production: v-artivist|cantonese, with chinese and english subtitles | 2017 | hong kong | 25 mins. |colour

《發霉派對》fungi party
影像及編輯: 黃荻 | 廣東話(中、英字幕) | 2013 | 香港 | 36分鐘 |彩色
image & editing: tiv wong | cantonese with chinese and english subtitles | 2013| hong kong | 36 mins. |colour

日期date時間 time場地 venue
1/11 (五 fri) 晚上7:30p.m. 觀塘北角碼頭
kwun tong ferry pier (terminal to north point)

#公共空間注意
#screening in public spaces
22/11(五 fri) 晚上7:30p.m. 虎地書室
fu tei bookstore
1/12(日 sun) 晚上 7:30p.m. 街坊排檔
kai fong pai dong

#公共空間注意
#screening in public spaces

人是群居生物,但我們被社會變得個體群居於眾多個體中生活。

社區生活應由社區人創造,並非來自當權者的破壞。《工廈3/F》眾band友在觀塘悄悄窩居,埋門自造音樂,但政府偏要活化工廈,於是一群人拿著鼓,在馬路上叫嚷示威,想重奪不被趕走的生活空間…..《翻土景深》拍攝者Johnny走進並非自己居住地,用影片作為媒介。讓街坊說故事,把影片串連為土瓜灣的社區生態。《發霉派對》以腐生於朽木爛地的菇菌作為意象,過往他們一直在廢棄工廠大搞派對,有地自然有他們。有警察趕、起觀塘海濱碼頭搞粉飾工程,他們就去反抗……

被趕走後回來,或再覓地繼續生存,公共/私人空間,對他們都是地,地從來無貴賤、有錢無錢之分,唔洗政府(你)規劃……

Crowd-living humans are shaped by society, to become separate entities living among individuals. Our community life should have been created by community dwellers / stakeholders, but not from destruction by the authorities.

Band-mates crammed themselves into 3/F to create and jam music, while the government insisted to ‘revitalize’ industrial buildings. Therefore people took to the streets with their drums, shouting and protesting on the road, just to take back their living space un-intervened.

Walking into a place he was not living in, Johnny filmed ploughing towards depth of the field, with moving images as the medium. letting kai-fongs (community dwellers) tell their stories, the moving images are rendered into community-scape of tokwawan.

‘Fungi party’ takes the imagery of fungi saprophytic to rotten wood and land, telling the story of a group of people who have been throwing parties in abandoned industrial buildings. There they are, whenever a new land is found. When it comes to police intervention, or ‘revitalization projects’ whitewashing kwun tong ferry pier by the government, they fight back and regain the space by themselves.

After being kicked out, to come back or to find new places to survive – whether it is public or private, costly or cheap, any land can be of good use to the dwellers, just that it’s needless to be planned by the government…

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